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But we heard each of the stars paraded in this movie is paid a hefty sum for his brief appearance and we're happy for all of them that they are well paid. Honestly, this can be quite distracting for a movie with a various serious purpose of sanctifying its titular character. Some of them do not even get to deliver a single line of dialogue. Most of them are not really utilized usefully, appearing only in a few scenes, never to be seen again. The production expense is also very evident in the cameo appearances of various name stars like Lorna Tolentino, Jaclyn Jose, Snooky Serna, Alice Dixson, Bembol Roco, Raymond Bagatsing, Tonton Gutierrez, Glydel Mercado, Gladys Reyes, etc. They really spent on period production design, the costumes, the locations, even in the aging make up to show that Manalo (played by Dennis Trillo) and his wife Honorata (Bela Padilla) have aged through the years. But does it make for a great cinematic experience? Take note that the film is produced with care, from the rustic folk scenes at the turn of the century when life is much simpler to the Second World War scenes and those that take place in the 60s. In this sense, we can say that the movie succeeds in fulfilling all its intentions, as required and dictated by those who produced it for this purpose. If it's not of God, then it would have not prospered the way it did after 100 years. You may or may not agree with his beliefs but there is no denying there's something amazing and admirable in a Filipino who found his own calling and founded and propagated his own local church against all odds. In doing so, he creates his own doctrinal beliefs based on his own interpretation of pivotal passages in the Bible and on what he believes as his own divine inspiration. His search for spiritual truth leads him to put up his own ministry, the Iglesia ni Cristo. He is raised as a Catholic and prepares to be a priest but he starts to ask questions about his faith and went on to join several Protestant sects, all of which he finds wanting. This is exactly what the young Felix Manalo went through in the movie that starts with him being born and shows him dying in 1963. If you are searching for the one true faith, you can join all these churches and see for yourself which one suits you We now have other preachers who have formed their own following like Ang Dating Daan, El Shaddai, and the born again churches like Victory, CCF, etc. Since then, it branched out to many other forms like the Eastern Orthodox Church, the Anglican Church, the Jehovah's Wintesses, and locally, the Aglipayan Church and the Iglesia ni Cristo which is said to be the Tamang Daan. It spread to various parts of the globe and flourished for many centuries until Martin Luther, an Augustinian friar in Germany, protested the abuses of the church and key points in Catholic doctrine that gave rise to the Protestant Reformation and gave birth to a variety of sects and denominations. The history of the Christian Catholic religion starts with the belief that it is the one true church founded by Jesus Christ and that the Pope is the successor to Saint Peter. Although Viva is billed as its producer, there is no doubt that it is really INC money that bankrolled the whole project, so they're very much entitled to call all the shots. We're told he is guided by INC authorities all the way and he cannot detour from what they have in mind in the on-screen portrayal of their founder. Of course, we cannot fault Director Joel Lamangan in this as his hands are tied while filming the project. The big-budget period drama never goes beyond being a total glorification of Manalo, who's portrayed as a saint with no shortcomings or vulnerabilities, as such giving him a two-dimensional persona. This is particularly true especially towards the end, after the death of Manalo, when it recounts how their cult spread in other parts of the globe. 'FELIX MANALO' is billed as a biopic of the man who's called 'huling sugo' and founded the Iglesia ni Cristo, but in it's core, it is actually an unapologetic, unabashed propagandistic chronicle on the rise of the INC. But they will not be applied, as we do not do duplicate, but make a separate copy of our VraySky. Otherwise, we would have to change the settings without this parameter. Be sure to selects Instance copy type when you copying. After this, we are able to change the settings of daylight. To do this, we open the materials panel, and drag the VraySky lighting map there. That will allow us to adjust the room lighting correctly to your liking, as well as the brightness of daylight and the intensity of the sun’s rays. Now we have to separate these 2 components and to manage them separately from each other. VraySun lighting consists of two components: Sun and Sky. Once we have set the angle of inclination of the sun, we need to perform the following operation: to open the Environment window as it is shown on the following screenshot, where we can see that the environment map is set as VraySky. The closer the sun is to the horizon, the redder light from the sun will be. By the way, the rays color depends on the angle of the sun. We set the angle of inclination of sun optimally, so it would shine nicely in our room. Once the sun was added, we need to agree that VRay adds own VRaySky map on the environment’s map. So, after you have configured V-Ray, we need to add the sun itself to the finished scene. The method is convenient because it is possible to create high quality interior lighting relatively fast, as well as to have the effect of falling sunlight. You must perform these settings to use the VRaySun interior lighting technique. We shall consider the option of lighting of the room using VRaySun in this lesson. The lighting of the interior using VRaySun and VRaySky |
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